论梅洛-庞蒂“本己身体的综合”在文学接受中的适用性  

On the Applicability of Merleau-Ponty's Synthesis of One's Own Body in Literary Reception

作　　者：董惠芳[1] 刘玥竹 Dong Huifang;Liu Yuezhu(College of Literature,Bohai University,Jinzhou Liaoning 121013,China)

机构地区：[1]渤海大学文学院,辽宁锦州121013

出　　处：《河北科技师范学院学报（社会科学版）》2024年第4期34-39,69,共7页Journal of Hebei Normal University of Science & Technology(Social Sciences)

基　　金：国家社科基金重大项目“现象学美学与中国当代美学的理论体系建构问题研究”(22&ZD048)。

摘　　要：“本己身体的综合”是梅洛-庞蒂知觉理论中重要的组成部分,它意味着身体既是自为的,也是可感的。“本己身体的综合”是一种知觉间的综合,身体的知觉时刻处于身体整体的背景中。这一理论在文学接受中具有很强的适用性。身体的投射功能为文学接受中的“本己身体的综合”奠定了生理基础,使接受者的身体能够将自己置于想象的处境中。又由于语言与身体的同构性,身体在文学接受中进行“本己身体的综合”的过程中同时也发现了文学语言背后不可见的含义。文学接受中的“本己身体的综合”得以实现主要依赖于:一是符号所予的知觉习惯,二是作为算法的语言符号系统具有确定性,三是符号的表达与联想功能。这一理论中的身体加强了文学的在世属性,也让文学接受回归到作品本身。The synthesis of one's own body is an important part of Merleau-Ponty's theory of perception,which means that the body is both self-conscious and perceptible.The synthesis of one's own body is a synthesis of perceptions,and the perception of the body is always in the background of the whole body,which is applicable in literary reception.The projection function of the body lays a physiological foundation for the synthesis of one's own body in literary reception,enabling the recipient's body to place itself in an imaginary situation.Because of the isomorphism of language and body,the body also finds the invisible meaning behind literary language in the process of synthesis of one's own body in literary reception.The realization of the synthesis of one's own body in literary reception depends mainly on the perceptual habitus given by symbols,the certainty of the linguistic symbol system as an algorithm,and the expressive and associative functions of symbols.The body in this theory strengthens the nature of being in the literature world,and also makes literary acceptance back to the work itself.

关 键 词：梅洛-庞蒂 “本己身体的综合” 文学接受 知觉现象学 

分 类 号：B089[哲学宗教—哲学理论]