黄永玉荷花图的艺术空间构造  

The Artistic Space Structure of Huang Yongyu's Lotus Painting

作　　者：肖家墨 XIAO Jiamo(School of Fine Arts,Hunan Normal University,Changsha 410000,China)

机构地区：[1]湖南师范大学美术学院,湖南长沙410000

出　　处：《吉首大学学报（社会科学版）》2024年第6期155-160,共6页Journal of Jishou University(Social Sciences)

摘　　要：黄永玉有“荷痴”的雅号,极为喜爱且擅长画荷花。在荷花图中,黄永玉构造了一个独特的艺术空间。首先,黄永玉画荷花是为了躲避世事烦扰与政治纠纷。基于“躲”的逻辑,黄永玉荷花图中的艺术空间与日常生活形成了疏离,审美性成为主导原则。其次,黄永玉的荷花图超越了个人的情感表达,具有一种民族寻根的指向。这一指向形成的基础是黄永玉荷花图中图像与文字的互动。图像与文字的互文性结构创造了独特的艺术空间,使黄永玉的荷花图在中国当代美术史中成为独树一帜的存在。Fond of and famous for painting lotus flowers,HuangYongyu enjoys an elegant nickname of"Lotus Crazy".In the lotus painting,he constructs a unique artistic space.First,he paints lotus flowers to escape the troubles and political disputes.Based on the"hiding"logic and taking aesthetics as his dominant principle,Huang Yongyu has created an artistic space in his lotus painting,which is alienated from daily life.Second,his lotus painting has transcended personal emotional expression,pointing out a direction for the nation to find its root,which forms the foundation for the interaction between images and words in his lotus painting.The intertextual structure of images and words creates a unique artistic space,making his lotus painting a unique existence in the history of contemporary art in China.

关 键 词：黄永玉 荷花 艺术空间 中国画 互文性 

分 类 号：J201[艺术—美术]