数字文学概念辨析  

On Digital Literature

作　　者：马双子 Ma Shuangzi(the Faculty of Liberal Arts,Northwest University)

机构地区：[1]西北大学文学院,陕西省西安市710127

出　　处：《文艺理论研究》2024年第5期96-106,共11页Theoretical Studies in Literature and Art

摘　　要：数字文学是依托于数字技术产生的文学新样式,成为当代技术与人文之融合在文学领域的显现。目前数字文学并未得到文学界的广泛参与和认可,其界定也与并行概念混杂不清。摆脱困境需首先回答数字文学是什么,它为文学带来了什么。本文将“数字文学”与“超文本文学”“网络文学”“电子文学”三个相关概念进行比照,认为“数字文学”比“超文本文学”更重视多类技术对异质元素的整合,相较于“网络文学”更强调代码运作赋予文学本体的动态表征,并比“电子文学”的命名更切合比特信号的创造性而非模拟性特质,由此对数字文学的内涵作出归纳总结。A new literary form based on digital technology, digital literature manifests the contemporary integration of technology into the humanities. Currently, digital literature has received scant attention and recognition from literary critics, and thus its definition is confused with that of similar literary forms. To address this dilemma, this article compares digital literature with hypertext literature, network literature, and electronic literature, in order to figure out what digital literature is and what it has brought to literature. Compared to hypertext literature, digital literature emphasizes the integration of heterogeneous elements into multiple technologies;compared to network literature, digital literature highlights the dynamic representation of literary ontology shaped by code operation;compared to electronic literature, the term digital literature demonstrates more creative characteristics of bit signals rather than analog signals.

关 键 词：数字文学 超文本文学 网络文学 电子文学 概念 

分 类 号：I206[文学—中国文学]