罗杰·弗莱的中国古典艺术研究及其形式美学建构  

Roger Fry's Research on Chinese Classical Arts and His Construction of Formal Aesthetics

作　　者：杨莉馨[1] Yang Lixin(the School of Chinese Language and Literature,Nanjing Normal University)

机构地区：[1]南京师范大学文学院,江苏省南京市210097

出　　处：《文艺理论研究》2024年第5期107-115,共9页Theoretical Studies in Literature and Art

基　　金：国家社科基金一般资助项目“《伯灵顿杂志》与中国艺术美学的西传研究”[项目编号:21BWW002]的阶段性成果。

摘　　要：本文拟在回顾英国艺术评论家罗杰·弗莱的美学探索之路及与中国艺术渊源的基础上,探讨其中国古典艺术研究的成就与特色,认为弗莱以形式分析为门径,以《伯灵顿杂志》等为阵地,成功地将中国艺术精神融入了形式美学话语之中,由此助推了西方现代主义艺术运动的发展。作为现代主义全球流动的一个典型个案,弗莱与中国艺术的亲缘关系十分有力地证明了中国古典艺术美学在全球现代主义发展中的独特作用。This paper intends to explore the achievements and characteristics of British art critic Roger Fry's research on Chinese classical art based on a review of his aesthetic exploration and his relationship with Chinese art. The study proposes that Fry successfully integrated the spirit of Chinese art into the discourse of formal aesthetics by using formal analysis and the Burlington Magazine as a platform, thereby promoting the development of the Western modernist art movement. As a typical case study of the global flow of modernism, Fry's affinity with Chinese art has strongly demonstrated the unique role of Chinese classical art aesthetics in the development of global modernism.

关 键 词：罗杰·弗莱 中国古典艺术 形式美学 《视觉与设计》 《伯灵顿杂志》 

分 类 号：J01[艺术—艺术理论]