副文本的秩序:《钤山堂集序》的写作策略  

The Order of Paratexts: Strategies of Writing Prefaces as Exemplified by Collected Works from the Qianshan Studio

作　　者：叶晔 Ye Ye(the Department of Chinese Language and Literature,Peking University)

机构地区：[1]北京大学中国语言文学系,北京市100871

出　　处：《文艺理论研究》2024年第5期137-150,共14页Theoretical Studies in Literature and Art

摘　　要：明嘉靖增刻本《钤山堂集》卷首的十数篇书序文,撰写于正德十年至嘉靖三十八年间,一般被视为当时文坛名流受严嵩委请的应酬之作。但正德、嘉靖年间是中国古代出版业在15世纪发展低谷后的快速爬升期,这种发生在作家生前的高频次增刻行为,及由此生成的“副文本群”,无论基于刊印成本、效率的考量,还是对作者、读者心态的调整来说,都是前所未遇的新问题。而作为当时权臣的严嵩之诗名与威势的变化,又在很大程度上放大了这一出版行为的文化效应:如基于增刻行为的将其他撰序者引为预期读者的第四方心理,不同撰序者在文学批评维度的规避与竞赛,作家离世后批评者对原有副文本秩序的破坏及新话语秩序的重置等。这一特殊的书序文撰写案例及其中的写作策略,有助于学界更好地认识处于历史现场的书序文写作,及其作为一种副文本类型在建构文学批评秩序中的多重意义。The expanded edition of Collected Works from the Qianshan Studio, an anthology by Yan Song(1480-1567) during the Jiajing reign(1522-1566) of the Ming dynasty, included several prefaces at the beginning. These prefaces were written by literary figures from 1515 to 1559, and are generally considered to be works commissioned by Yan Song for social interaction. However, the rapid development of publishing culture during this period introduces this practice of expanding texts with multiple prefaces and the forming of a paratextual group. This practice extended beyond printing costs and efficiency to influence the mindset of writers and readers alike. Yan Song's dual role as a powerful official and poet magnified the cultural effects of this practice. This influence manifested in phenomena such as the “fourth-party mentality, ” where other preface writers were seen as intended readers, as well as in the avoidance and rivalry among different preface writers in literary criticism. Additionally, Yan Song's death led to the disruption of the original paratextual order and the subsequent reconstruction of critical discourse by later critics. This case study offers valuable insights into preface writing within its historical context and reveals the multiple functions of paratexts in shaping the landscape woof literary criticism.

关 键 词：严嵩 一书多序 副文本群 预期读者 出版文化 

分 类 号：I206.2[文学—中国文学]