清唱剧《冰凌花——永远的赵一曼》咏叹调的艺术特色与舞台实践  

The Artistic Characteristics and Stage Practice of the Aria of Oratorio Ice Flower - Eternal Zhao Yiman

作　　者：王兆森 WANG Zhao-sen(Art Creation Department,Liaoning Opera House,ShenyangLiaoning 110000,China)

机构地区：[1]辽宁歌剧院艺术创作部,辽宁沈阳110000

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第11期146-149,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：我国清唱剧将中国传统曲艺与西方音乐融合,作品的内容与表演风格具有鲜明的民族特色。清唱剧《冰凌花——永远的赵一曼》咏叹调在音乐本体、音乐风格、音乐形象、音乐语言等艺术层面再现了抗日女性英雄的光辉形象;用“柔中蕴刚”咏叹调的表演方式,通过不同演唱风格、演唱技巧、配器技术的妙用、适当的表演设计与服装道具等展现了清唱剧的整体舞台风貌,提升了清唱剧表演魅力。Chinese oratorio integrates traditional Chinese folk art forms with Western music,and the content and performance style of the works have distinct national characteristics.The aria of the oratorio Ice Flower-Eternal Zhao Yiman reproduces the glorious image of the female anti-Japanese hero at the artistic levels of music ontology,music style,music image,and music language;using the performance style of the aria “Softness Embedded with Firmness,” through different singing styles,singing techniques,the ingenious use of orchestration techniques,appropriate performance designs and costume props,etc.,it presents the overall stage style of the oratorio and enhances the charm of the oratorio performance.

关 键 词：清唱剧 咏叹调 《冰凌花——永远的赵一曼》 

分 类 号：J617.2[艺术—音乐]