论柔石小说的抒情性  

On the lyricism of Rou Shi’s novels

作　　者：李毅琳 廖美琳 LI Yilin;LIAO Meilin(School of Grammar and Arts,East China University of Technology,Nanchang 330000,China)

机构地区：[1]东华理工大学文法与艺术学院,江西南昌330000

出　　处：《南昌工程学院学报》2024年第5期80-85,共6页Journal of Nanchang Institute of Technology

基　　金：江西省研究生创新专项资金项目(YC2023-S568);国家社会科学基金西部项目(23XZW023)。

摘　　要：“左联”作家柔石的创作,除了启蒙性和革命性外,还具有明显的抒情意味。从抒情这一角度出发整体考察柔石的创作可以发现,他的早期作品《疯人》小说集,充满了个人主义思潮的颓废抒情;中期作品《二月》,反映了一种在“缺乏现代味”与尝试“革命”之间徘徊的矛盾抒情;后期作品《为奴隶的母亲》,标志着其抒情从个人走向阶级,在感时忧国中彰显革命抒情。The works of Rou Shi,a writer belonging to the Left-wing Writers’Alliance,are not only enlightening and revolutionary but also distinctly lyrical.When examining Rou Shi’s whole works from a lyrical perspective,we find that his early work The Madman is imbued with the decadent lyricism color of the individualism trend of thought in the May 4th Movement;his mid-period work February reflects a contradictory lyricism that oscillates between a“lack of modernity”and attempts at“revolution”;his later work A Slave Mother marks a transition from personal to class lyricism,highlighting revolutionary lyricism in its concern for the times and the nation.

关 键 词：柔石作品 抒情性 《疯人》 《二月》 《为奴隶的母亲》 

分 类 号：I206.6[文学—中国文学]