冰心早期诗歌中“启蒙与救亡”主题下的神性书写  

Christian Deity Culture Under the Theme of“Enlightenment and Salvation”in Bing Xin’s Early Poems

作　　者：赵月霞 ZHAO Yuexia(Department of Cooperation and Exchange,Capital Institute of Physical Education and Sports,Beijing 100191,China)

机构地区：[1]首都体育学院对外交流与合作处,北京100191

出　　处：《太原师范学院学报（社会科学版）》2024年第4期50-55,共6页Journal of Taiyuan Normal University:Social Science Edition

摘　　要：五四新文化运动“启蒙与救亡”的时代主题下,基督教神性文化表达成为近代中国思想文化建构的一个重要维度,也成为冰心早期诗歌创作的重要思想资源。“爱的哲学”是冰心早期诗歌丰富而独特的意义世界,也形成了冰心诗歌温柔敦厚、简洁隽永的艺术风格。冰心早期诗歌创作显现出时代“启蒙与救亡”主题与基督教文化的相互观照,以及“爱的哲学”形成的复杂性,诗歌话语层面的彰显与思想内质的潜藏以及由此形成的矛盾冲击,同样折射出基督教文化与新文化运动在“同构性”与“异质性”之间的交融与冲突。During the May Fourth New Culture Movement,the expression of Christian deity culture under the theme of“Enlightenment and salvation”became an important dimension of the ideological and cultural construction of modern China,and also an important ideological resource for Bing Xin’s early poetry creation.“Philosophy of love”is the rich and unique meaning world in her poetry,and also forms her gentle,generous,concise and profound style.These poertry shows the mutual observation and reflection of the theme of“Enlightenment and salvation”and Christian culture,as well as the complexities of the formation of her“philosophy of love”.The manifestation of the discourse level of the poems and the potential and contradictions of the ideological nature also reflect the fusion and conflict between the“isomorphism”and“heterogeneity”of Christian culture and the May Fourth New Culture.

关 键 词：冰心早期诗歌 五四新文化运动 基督教文化 启蒙与救亡 

分 类 号：I206.6[文学—中国文学]