福雷与德彪西以同名诗谱曲的创作特征及对比分析  

A Comparative Study of French Art Songs Composed by Faure and Debussy with the Same Name

作　　者：雷文林 LEI Wenlin(School of Music and Performing,Yibin University,Yibin Sichuan,644000,China)

机构地区：[1]宜宾学院音乐与表演学院,四川宜宾644000

出　　处：《文化创新比较研究》2024年第31期1-6,共6页Comparative Study of Cultural Innovation

摘　　要：法国艺术歌曲是一种将诗歌与音乐完美结合的声乐体裁,具有高度的文学性与艺术性。福雷与德彪西是19世纪浪漫主义时期法国艺术歌曲的代表性作曲家,在法国艺术歌曲发展史上具有举足轻重的作用。他们的创作灵感大多来自法国象征主义代表性诗人保罗·魏尔伦的诗歌,作品彰显着法国艺术歌曲的淡雅委婉风格。文章从法国艺术歌曲的发展脉络、法国诗文化、福雷和德彪西以同名诗谱曲的艺术歌曲《月光》《曼陀林》《沉思》等方面进行作品分析,阐释两位作曲家的创作风格特征,展开对比研究,力图为声乐演唱者们了解法国艺术歌曲的风格特征提供参考,更好地演绎法国艺术歌曲。French art song is a kind of vocal music which combines poetry and music perfectly.It has high literary and artistic character.Faure and Debussy are the representative composers of French art songs in the romantic period of the 19th century,and play a pivotal role in the history of French art songs.Most of their creative inspiration comes from the poems of Paul Verlaine,the representative poet of French symbolism,and their works highlight the elegant and euphemistic style of French art songs.This paper analyzes the development of French art songs,French poetry culture,and the artistic songs composed by Faure and Debussy with the same name Moonlight,Mandolin and Meditation,explains the creative style characteristics of the two composers,carries out a comparative study,and tries to provide references for vocal singers to understand the stylistic characteristics of French art songs and perform French art songs better.

关 键 词：福雷 德彪西 保罗·魏尔伦 法国艺术歌曲 创作特征 对比研究 

分 类 号：J605[艺术—音乐]