韩延“生命三部曲”疾病叙事的开拓与探索  

A Discussion on Han Yan's"Life Trilogy"and the Exploration of Disease Narratives

作　　者：楚卫华 CHU Weihua(School of Journalism and Communication,University of Chinese Academy of Social Sciences,Beijing,102488,China)

机构地区：[1]中国社会科学院大学新闻传播学院,北京102488

出　　处：《文化创新比较研究》2024年第30期5-8,共4页Comparative Study of Cultural Innovation

摘　　要：韩延于2015—2024年完成了《滚蛋吧!肿瘤君》《送你一朵小红花》《我们一起摇太阳》“生命三部曲”,三部影片既相互照应,又各有特色,接力完成对人类生死课题的深刻探索。作为疾病叙事同类题材,其叙事直面疾病乃至死亡,运用现实主义表现病人的日常生活,将疾病故事表现得更具典型性和普遍意义,同时,影片通过直面生老病死这些人生大事,从不同侧面深入探讨“向死而生”的生命意义。在表达方式上,韩延用属于自己的电影表达方式,即温暖表达,来不断探索电影的疗愈功能,使影片体现出强烈的叙事医学的功能。“生命三部曲”不仅丰富了中国电影疾病叙事的题材和类型,而且为电影现实主义创作提供了新的叙事空间。From 2015 to 2024,Han Yan completed his"Life Trilogy",comprising Go Away Mr.Tumor,A Little Red Flower,and We Shake the Sun Together.These three films are interrelated while maintaining their own unique characteristics,collectively achieving a profound exploration of the human experience of life and death.As works within the disease narrative genre,they confront illness and even death head-on,using realism to depict the daily lives of patients.This approach renders the stories of illness more archetypal and universally significant.Through directly addressing critical life matters such as birth,aging,illness,and death,the films delve into the meaning of life"living toward death"from different perspectives.In terms of expression,Han Yan employs a distinctive cinematic style marked by warmth,consistently exploring the healing function of film.This results in the films demonstrating a strong narrative medical function.The"Life Trilogy"not only enriches the subject matter and genres of Chinese film's disease narratives but also provides new narrative space for realist film making in China.

关 键 词：韩延 “生命三部曲” 疾病叙事 现实主义 生死主题 叙事医学 

分 类 号：J901[艺术—电影电视艺术]