非物质文化遗产保护视角下的文化再生——以东平湖区端公戏为例  

Cultural Revival from the Perspective of Intangible Cultural Heritage Protection—A Case Study of Dongping Lake District Endong Opera

作　　者：孔唯佳 李红 刘会 KONG Weijia;LI Hong;LIU Hui(Mount Taishan University of Science and Technology,Tai'an Shandong,271000,China)

机构地区：[1]泰山科技学院,山东泰安271000

出　　处：《文化创新比较研究》2024年第30期71-75,共5页Comparative Study of Cultural Innovation

基　　金：2023年度泰安市社会科学一般课题“东平湖区端公戏研究”(项目编号:23-YB-105)阶段性研究成果;教育部社科司关于中华优秀传统文化专项重点课题(A类)“增强中华文明传播力影响力路径研究——以泰山非物质文化遗产传播力影响力增强的路径为例”(项目编号:23JDTCA070)阶段性研究成果。

摘　　要：民间地方戏曲失传所带来的传统文化断层现象备受关注。东平湖区特有的端公戏属于傩文化体系中的一支,是傩文化在山东地区的独特印记。当前泰安东平县端公戏的适应性发展为必然趋势,由娱神到娱人的性质变迁,逐渐呈现出戏剧化的倾向,这一过程弱化了对神性的依附。地域文化为主导的创作趋向为东平地域端公戏传承的主要路径,新时代下湖区端公戏传承与转型为思考非物质文化遗产保护大背景下民间地方戏曲的生存之道提供了可借鉴价值,以“传承—集聚—扩散”为路径的完整链条,以高校工作坊为实践基地,基于“民间性”的传承与发展为东平端公戏的文化再生提供不竭动力。The phenomenon of traditional culture being disrupted due to the loss of folk local operas has drawn much attention.The Dangong Opera,a unique form of folk opera found only in the Dongping Lake District,belongs to the system of Shanmu culture,which is a unique mark of Shanmu culture in Shandong Province.The adaptive development of Dangong Opera in Taian Dongping County is an inevitable trend,with a change from worshiping gods to entertaining people,gradually showing a tendency towards dramatization,which weakens the dependence on divinity.The trend of creating works with regional culture as the dominant force is the main path for the inheritance of Dongping regional Dangong Opera.The inheritance and transformation of Dangong Opera in the new era provide valuable reference for thinking about the survival of folk local operas in the context of non-material cultural heritage protection.The complete chain of"inheritance-aggregation-diffusion"as the path,and the practice base of college workshops,based on the"folkness"of inheritance and development,provide unending impetus for the cultural regeneration of Dongping Dangong Opera.

关 键 词：东平湖区 端公戏 傩文化 表演形态 戏剧要素 传承与转型 

分 类 号：G127[文化科学]