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作 者:崔璨 CUI Can(School of Language,Culture and Media,Hefei University,Hefei Anhui 230601,China)
机构地区:[1]合肥大学语言文化与传媒学院,安徽合肥230601
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2024年第12期98-103,共6页Journal of Qiqihar University(Philosophy & Social Science Edition)
基 金:安徽省哲学社会科学规划项目(青年项目):文学社会史视野中的“蒋光慈现象”研究(AHSKQ2021D220)。
摘 要:陈启修的小说集《酱色的心》取材于其本人革命经历,写于国民革命失败后。同有着“光明”结局的革命文学叙事相比,它不着意强调“出路”问题,而聚焦于知识分子在国民革命中的复杂精神状态。这一书写呈现了“半路出家”革命者的尴尬处境,也透露出“跨党分子”因“左右为难”而进退失据的身份认同危机。陈启修虽改写了藏原惟人的“无产阶级文学论”,但这并不意味着他的文学活动逸出了革命文学乃至左翼文学的谱系,其小说中的“左派共同体”想象勾连了国民革命语境与三十年代的左翼文学论争。Chen Qixiu’s short story collection,The Maroon Heart,draws on his own revolutionary experiences and was written after the failure of the National Revolution.Unlike the“bright”ending of revolutionary literary narratives,it does not emphasize the“outlet”issue,but focuses on the complex spiritual state of intellectuals in the National Revolution.This writing presents the embarrassing situation of the“halfway”revolutionaries,and also reveals the identity crisis of“Cross-party element”caught in a“dilemma”.Although Chen Qixiu rewrote the“proletarian literature theory”of Kurahara Korehiko,it does not mean that his literary activities were outside the spectrum of revolutionary literature or even Left Wing Literature.The“left community”imagery in his stories connects the context of the National Revolution with the left-wing literary debates of the 1930s.
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