舞台上的“大型画作”——浅谈北京人艺画幕的绘制  

Large Paintings on Stage-A Brief Discussion on the Painted Drops of Beijing People's Art Theatre

作　　者：夏腾子 XIA Tengzi(Beijing People's Art Theatre,Beijing 100010,China)

机构地区：[1]北京人民艺术剧院,北京100010

出　　处：《演艺科技》2024年第2期75-79,共5页Entertainment Technology

摘　　要：画幕绘制是舞台布景制作中一项具体且专业的工作,需要艺术性与技术性的把控与融合。北京人艺的老一辈艺术家通过实践,总结归纳了画幕绘制的工作方法,并且通过传帮带的技艺培养方式传授给新一代的舞美从业者。本文以近十年的剧目创作为例,浅谈画幕绘制的要点及其传承与创新。The drop painting is a specific and professional task in stage scenery production,requiring a blend of artistic and technical control.Veteran artists at the Beijing People's Art Theatre have summarized and refined the methods of painted drop creation through practical experience.They have passed down these skills to the next generation of stage designers through mentorship and hands-on teaching.This article uses the productions from the past decade as examples to briefly discuss the key points of painted drop creation,along with its inheritance and innovation.

关 键 词：舞台美术 布景 画幕 绘制技术 经验传承 艺术创新 

分 类 号：J824[艺术—戏剧戏曲]