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作 者:王艳 王召弟 Wang Yan;Wang Zhaodi(School of Oriental Languages,Anhui University of Foreign Languages,Hefei,Anhui 231201)
机构地区:[1]安徽外国语学院东方语言学院,安徽合肥231201
出 处:《绥化学院学报》2024年第12期62-64,共3页Journal of Suihua University
基 金:安徽外国语学院校级重点项目(Awky2022019)。
摘 要:文章通过对三岛由纪夫的创作风格与死亡视角的研究发现,《春雪》主人公的爱情悲剧具有美学意义,尽管三岛由纪夫的文学追求最终导向一种类宗教的死亡,但是在追求与爱情、与美结合的过程却无处不充满着迷狂般的信仰与理想。三岛由纪夫笔下始终贯穿着生与死的思维,他利用死亡视角,不留余地地展现出《春雪》这部作品中男女主人公的爱情悲剧,足以震撼读者的心灵。"Spring Snow",as the first volume of Yukio Mishima's epic novel"The Sea of Abundance",not only presents a creative style,but also implies unique aesthetic ideas.Through the study of Yukio Mishima's creative style and death perspective,we found that the love tragedy of the protagonist in"Spring Snow"has aesthetic significance.Although Mishima's literary pursuit ultimately leads to the death of a certain religion,the process of pursuing the combination of love and beauty is full of passionate beliefs and ideals.Secondly,in Yukio Mishima's works,there is always a thought of life and death,which is vividly portrayed in his works.Yukio Mishima uses the perspective of death to vividly depict the tragic love story between the male and female protagonists in the work"Spring Snow",which is enough to shock readers'hearts.
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