鬼子母文学形象的历史变迁及原因探析  

The Historical Changes and Its Reasons of the Literary Image of the Hariti

作　　者：贺伟 谷丽媛 HE Wei;GU Liyuan(ZhengZhou University,Zhengzhou 450001,China;Central South University,Changsha 410083,China)

机构地区：[1]郑州大学文学院,河南郑州450001 [2]中南大学马克思主义学院,湖南长沙410083

出　　处：《天中学刊》2024年第6期78-84,共7页Journal of Tianzhong

摘　　要：汉朝时,鬼子母作为佛教护法神之一传入中国。佛经中的鬼子母显现出多子、爱子的形象特征,且逐渐具有了送子的职能,在民间广受供奉。随着佛教本土化的发展,鬼子母的身影频繁出现在中国古典文学作品中,其人物形象一直处于建构和嬗变当中。宋前文学作品中的鬼子母大都是美丽端庄、神通广大的送子娘娘形象,宋代之后则呈现出多样化和世俗化的趋势,这一历史变迁与唐宋之际佛教的变革、通俗文学的发展以及观音信仰的兴盛有着密切的联系。During the Han Dynasty,Hariti was introduced into China as one of the guardians of Buddhism.In the Buddhist scriptures,Hariti has many children and she loves them very much.Gradually,Hariti has the function of delivering children to women,who is widely worshipped in the people.With the development of Buddhism,the figure of Hariti frequently appears in literary works,and the image has been in the process of construction and evolution.Before the Song Dynasty,Hariti played a beautiful and omnipotent role in literary works,and then the image showed a trend of diversification and secularization,which is closely related to the evolution of Buddhism,the prosperity of popular literature and the increase of Avalokiteshvara belief during the Tang and Song Dynasties.

关 键 词：鬼子母 文学形象 历史变迁 神圣化 世俗化 

分 类 号：I206.2[文学—中国文学]