观演一体需求下的主题剧场设计探索——以“太极印象”全域剧场为例  

DESIGN EXPLORATION OF THEMATIC THEATERS UNDER THE DEMAND FOR INTEGRATED AUDIENCE-PERFORMANCE:A CASE STUDY OF"IMPRESSION TAI CHI"THEATER

作　　者：唐鸿骏 许腾飞 张翼 Tang Hongjun;Xu Tengfei;Zhang Yi

机构地区：[1]清华大学建筑设计研究院有限公司 [2]清华大学建筑设计研究院有限公司建筑全过程分院

出　　处：《当代建筑》2024年第12期139-144,共6页Contemporary Architecture

摘　　要：观演空间组织的变化为当今观演建筑设计提出了新设计要求:不仅需要定制不同主题且满足观演一体需求的剧场空间,而且对建筑融入场地、表达当地文化、提供情感支持等方面提出了新的考验。本文以河南省“印象太极”全域剧场设计为例,探讨通过空间定制、流线组织、活动感知等方法,达到形体消融、情感连续、吸引观者参与演出等目的,进而探索消融观—演边界的可能性,并在观演一体的追求下寻求新的表达形式。The changes in the spatial organization between the"audience"and the"performance"have posed new design requirements for contemporary performance architecture.It is not only necessary to customize theater spaces that meet the needs of audience-performance integration under different themes,but also to present new challenges in terms of integrating architecture into the site,expressing local culture and providing emotional support.By leveraging the design of the"Impression Tai Chi"Theater in Henan Province,this paper explores methods such as form and material,circulation organization,and activity perception to achieve the dissolution of form,emotional continuity and the attraction of audience participation in performances,thereby exploring the possibility of dissolving the"audience-performance"boundary.This aims to seek new forms of expression under the pursuit of audience-performance integration.

关 键 词：观演一体 主题剧场 印象太极 消隐 

分 类 号：TU242.2[建筑科学—建筑设计及理论]