符号学视域下辽代鸡冠壶的文化创意路径转化研究  

Study on the Transformation of Cultural Creative Path of Liao Dynasty Cockleshell Pot under Semiotics Perspective

作　　者：王悦妍 刚强[1] Wang Yueyan;Gang Qiang(School of Design,Inner Mongolia Normal University,Hohhot 010028,China)

机构地区：[1]内蒙古师范大学设计学院,呼和浩特010028

出　　处：《艺术与设计（理论版）》2024年第12期41-44,共4页Art and Design

摘　　要：文章以内蒙古博物院辽代鸡冠壶为研究对象,为探究莫里斯符号学三分法在文物设计中的流程方法,挖掘辽代鸡冠壶创新设计路径。以莫里斯符号学理论为指导,构建辽代鸡冠壶的现代设计转化模型,从语义、语用、语构三个层面解读辽代鸡冠壶背后的文化内涵,并将其引入设计流程中,结合用户需求等研究,得到辽代鸡冠壶的文创产品转化载体类型、产品功能以及产品造型。以内蒙古博物院馆藏的辽代鸡冠壶为研究对象,检验设计转化模型的有效性和合理性,为博物院文物二次设计开发、文创产品内涵传播提供新的视角,具有一定借鉴意义。Taking the Liao Dynasty cock-crowned pots in the collection of Inner Mongolia Museum as the research object,we explore the process method of Morris Semiotics trichotomy in cultural relics design,and excavate the innovative design path of the Liao Dynasty cock-crowned pots.And introduce it into the design process,combined with user needs and other research,to arrive at the type of carrier,product function,product modelling and so on for the transformation of Liao Dynasty cockle pots into cultural and creative products.Taking the Liao Dynasty cockspur jug in the collection of Inner Mongolia Museum as the research object,the validity and reasonableness of the design transformation model is tested,which provides a new perspective for the secondary design and development of museum cultural relics and the dissemination of the connotation of cultural and creative products,and has a certain reference significance.

关 键 词：莫里斯符号学 辽代鸡冠壶 设计转化 文创产品设计 

分 类 号：TB472[一般工业技术—工业设计]