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作 者:范纯雪 Fan Chunxue(Jinhua University of Vocational Technology,Jinhua 321016,China)
出 处:《艺术与设计(理论版)》2024年第12期118-122,共5页Art and Design
摘 要:宋濂是元末明初的博学大儒,不仅在文学、思想和政治等方面取得了显著的成就,书法上也是成就卓著,对当时及后世书法发展均产生了广泛而深远的影响。文章尝试以宋濂学书过程及墨迹作为切入点和主要依据,来探寻其书学思想。文章旨在揭示宋濂在元明之际书坛的重要地位,及独特的书法风格。通过分析宋濂的学书过程、题跋内容及其书法风格,以及对宋濂书学思想的探析,进一步理解宋濂在书法史上的成就和贡献。此外,文章还将探究宋濂与金华书学群体跟元末明初的书学群体的关系,并论述以宋濂为代表的金华书家群体对元末明初书家群体和后世的影响。Song Lian was an erudite scholar in the turning of Yuan-Ming dynasties who not only made remarkable achievements in literature,ideology and politics,but also in calligraphy,which had a profound impact on the development of calligraphy at that time and in later generations.This paper tries to take Song Lian's process of learning calligraphy and his works as the point of penetration and the main basis for exploring his ideology of calligraphy.It aims to reveal Song Lian's important position in the calligraphic community of the late Yuan and early Ming dynasties and to elucidate his unique calligraphic style.By analysing Song Lian's process of learning calligraphy,the contents of his colophons and his calligraphic style,as well as exploring Song Lian's ideology of calligraphy,we will better understand Song Lian's achievements and contributions to the history of calligraphy.Additionally,this paper willinvestigate the relationship between Song Lian and the Jinhua calligraphy group and the broader calligraphy community at the end of Yuan Dynasty and the beginning of Ming Dynasty.It will also examine the influence of the Jinhua calligraphers,represented by Song Lian,on their contemporaries and subsequent generations.
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