莫言对卡夫卡式叙事策略的借鉴与创新——基于《酒国》与《城堡》的比较研究  

The Kafkaesque Narrative Strategies That Borrowed and Innovated by Mr.Mo Yan——Based on the Comparative Study of The Republic of Wine and The Castle

作　　者：郝燕 HAO Yan(School of Foreign Languages,Bengbu University,Bengbu 233030,Anhui,China)

机构地区：[1]蚌埠学院外国语学院,安徽蚌埠233030

出　　处：《安康学院学报》2024年第6期69-74,共6页Journal of Ankang University

基　　金：安徽省高校优秀青年人才支持计划项目“接受与发展:莫言对卡夫卡文学的本土化实践”(gxyq2022107);安徽省人文社会科学重点项目“当代中国作家对卡夫卡式叙事策略的借鉴与创新”(2022AH051903)。

摘　　要：通过对《酒国》与《城堡》的比较研究发现,莫言与卡夫卡在叙事策略上有着异曲同工之妙,莫言显然受到卡夫卡式风格的影响,两者都采用了荒诞现实主义、故事情节的延宕、语言的瓦解等叙事策略。但是,莫言对卡夫卡式叙事策略不是一味地借鉴和接受,他根据自己的生命体验与审美习惯,讲述的是中国历史、社会和政治中的故事,以揭示现代人的荒诞感、异化感、孤独感,以及失去灵魂、失去理性的精神困境,体现出高度的社会责任感和使命感。A comparative study of The Republic of Wine and The Castle shows that Mo Yan and Kafka share similarities in narrative strategies.Mo Yan is obviously influenced by Kafkaesque style,and both of them adopt such narrative strategies as absurd realism,the delay of the plot and the disintegration of language.However,Mo Yan does not blindly imitate and accept Kafkaesque narrative strategies.According to his own life experiences and aesthetic habits,he tells stories about Chinese history,society and politics to reveal modern people’s sense of absurdity,alienation,loneliness,as well as their lost of soul and rationality,reflecting his high sense of responsibility and mission.

关 键 词：莫言 卡夫卡 《酒国》 《城堡》 叙事策略 

分 类 号：I106.4[文学—世界文学]