绝望的主妇:论欧阳予倩话剧《潘金莲》的情欲叙事与戏剧美学  

The Desperate Housewife:Studies on the Narratives and Aesthetic in Ouyang Yuqian's Drama Pan-Jinlian

作　　者：周宏亮 ZHOU Hong-liang(School of Literature and Journalism,Changsha University of Science and Technology,Changsha,Hunan 410076)

机构地区：[1]长沙理工大学文学与新闻传播学院,湖南长沙410076

出　　处：《汕头大学学报（人文社会科学版）》2024年第3期26-33,94,共9页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：国家社科基金重大项目“欧阳予倩文献深度发掘整理、研究及数据库建设”(21&ZD350)阶段性成果。

摘　　要：本文以欧阳予倩的剧本《潘金莲》及其舞台演出为研究对象,从跨文化戏剧的角度分析欧阳予倩的戏剧思想。欧阳予倩在为潘金莲翻案的过程中,借由她对于浪漫爱情的向往,表达了追求个性解放和男女平等的五四伦理价值观。他将潘金莲从“历史的耻辱柱”上解救下来,淡化其色欲熏天和心狠手辣的一面,强调她作为女性受害者对于男权社会的身不由己、决绝与反抗。此外,本文也考证了欧阳予倩在日留学史及其深受日本演剧影响的美学观念。This article takes Ouyang Yuqian's Pan-Jinlian as a case study,to discuss the narratives and aesthetics theories from the perspective of cross-cultural studies.Ouyang spared no efforts in re-imaging and re-creating a non-wanton Pan-Jinlian and expressed his eagerness for the liberation of the personalities and gender equality,which were the core values of the May Fourth Period.Ouyang used a fresh and bold narrative to glorify the beauty of Pan and help her escape from the humiliation of femme fatale.The research also analyzed the history of Ouyang's overseas studies in Tokyo and his learnings from Japanese theaters.

关 键 词：欧阳予倩 跨文化戏剧 戏剧美学 五四文化 现代中国与世界 

分 类 号：I207.34[文学—中国文学]