1930年代台湾文学转向中的高尔基  

Maxim Gorky in the Turn of Taiwan Literature in the 1930s

作　　者：郭蒙蒙 董晓[1] GUO Mengmeng;DONG Xiao

机构地区：[1]南京大学文学院,江苏南京210000

出　　处：《台湾研究集刊》2024年第6期129-140,共12页Taiwan Research Journal

摘　　要：1930年代,以高尔基为代表的社会主义现实主义文学在世界各地受到关注,在台湾地区也是如此。当时,台湾文学发展的重心从1920年代对语言形式的探讨转向对创作实践的思考,通过中国内地、日据台湾地区和日本左翼人士的交流互动,处于转向中的台湾文坛注意到高尔基。对于身处日本殖民统治下的台湾地区作家而言,出身底层、经历艰苦奋斗走上文学之路的高尔基本身就具有榜样的作用。虽然一些台湾地区知识分子混淆了新写实主义和社会主义现实主义,但在高尔基的影响下,他们准确把握了社会主义现实主义的“对社会生活的积极作用”和“革命的浪漫主义”两个重要特征。During the 1930s,literature of socialist realism,exemplified by Maxim Gorky,sparked heated discussions worldwide,including in the Taiwan region.This period marked a significant shift in Taiwan region's literary development,as the focus transitioned from experimenting with language forms in the 1920s to exploring the possibilities of creative practice.Through exchanges and interaction with left-wing individuals from Chinese mainland,Colonial Taiwan region,and Japan,the Taiwan literary circle,then in a state of flux,was introduced to Gorky's works.Many Taiwan region writers actively translated and promoted Gorky's writing.For writers living under Japanese colonial rule,Gorky,who overcame a humble background to become a great writer,served as a role model.Although some intellectuals in Taiwan region initially confused new realism with socialist realism,Gorky's influence helped them grasp the two important characteristics of socialist realism:its“positive role in social life”and“revolutionary romanticism”.

关 键 词：台湾文学 高尔基 社会主义现实主义 两岸文学交流 

分 类 号：I207[文学—中国文学]