文化记忆的展演与重构——以故宫为个案的文化学视角考察  

The Exhibition and Reconstruction of Cultural Memory:A Cultural Studies Perspective on the Forbidden City

作　　者：范玉刚[1,2] 许诗怡 Fan Yugang;Xu Shiyi

机构地区：[1]山东大学,济南250100 [2]山东大学文艺美学研究中心,济南250100 [3]中共中央党校文史部,北京100089

出　　处：《南京社会科学》2024年第11期123-131,140,共10页Nanjing Journal of Social Sciences

基　　金：故宫博物院课题“故宫形象的当代定位与新时代使命担当”的阶段性成果;“北京故宫文物保护基金会”的大力资助。

摘　　要：由明清两代政治中枢的皇城——紫禁城,到人民大众和中华文明视野中有着多重意蕴和价值意味的故宫博物院,故宫形象的变迁历经了600多年沧桑岁月,是中国社会、历史、文化与时代精神变迁的镜像。作为中华文明的标识性符号,故宫形象蕴含着中华文明的精神密码,是在世界舞台上建构中国叙事体系与话语体系的学术资源和价值参照系。遵循“两个结合”的根本要求,以故宫形象为载体,立足于建构文化认同的微观视角,经由对多重体验中形成的记忆场域的展演与重构,充分展示故宫历史、建筑、文物所蕴含的文化信息与价值诉求,旨在增强对中华文化认同、强化中华民族身份认同以及理解中华民族如何迈向现代化提供典范案例。From the Forbidden City,serving as the political epicenter of the Ming and Qing dynasties,to the Palace Museum,which holds multiple meanings and values in the eyes of the people and within the context of Chinese civilization,the image of the Forbidden City has undergone over 600 years of vicissitudes.It serves as a mirror image reflecting the transformations in Chinese society,history,culture,and the spirit of the times.As a symbolic representation of Chinese civilization,the image of the Forbidden City contains the spiritual code of Chinese civilization,and serves as an academic resource and value reference system for constructing China's narrative and discourse system on the world stage.Following the fundamental requirement of"two combinations",with the image of the Forbidden City as the carrier,based on the microscopic perspective of constructing cultural identity,and through the exhibition and reconstruction of the memory field formed in multiple experiences,the cultural information and value demands contained in the history,architecture and cultural relics of the Forbidden City are fully displayed.It aims to provide a model case for strengthening the Chinese cultural identity,strengthening the Chinese national identity and understanding how the Chinese nation moves towards modern civilization.

关 键 词：文化记忆 叙事体系 故宫 文化认同 

分 类 号：G122[文化科学]