从“狗托邦”到“浮世绘”--亦夫小说论  

From Dogtopia to Ukiyo-e: on Yi Fu’s Fiction

作　　者：林祁 张雪雁 Lin Qi;Zhang Xueyan

机构地区：[1]厦门大学嘉庚学院人文与传播学院 [2]暨南大学文学院

出　　处：《华文文学》2024年第6期26-35,共10页Literatures in Chinese

基　　金：国家社科基金后期资助项目“百年中国留日学生文学叙事研究”,项目编号:21FZWB095。

摘　　要：在“百年中国留日学生文学叙事”这大课题里,亦夫是不可忽略的个案。这个曾被陈忠实誉为“陕军东征”的乡土作家,从赴日开始其小说“转型”。依然是汉语写作,依然在边缘,日华却是边缘的边缘。这种与生具有的“边缘性”,是特点也是局限。从“狗托邦”到“浮世绘”的小说叙事,秉承了魔幻叙述,在表现中华文化自信的同时,又融入了日本的“物哀”色彩,使小说的内涵更具有包容性和丰富性。Of the big issue involving The Literary Narrative by Chinese Students in Japan over a Century,Yi Fu is a case that can’t be ignored.This writer,praised by Chen Zhongshi as a local native writer of the shaanxi Army Going on an Eastern Expedition,began his transformation after he went to Japan.He still wrote in Chinese.He remained on the margin.But being Chinese Japanese was on the margin of the margin.This innate marginality is as much a characteristic as a limitation.His fictional narrative from dogtopia to ukiyo-e carries on that of magic realism.While expressing the Chinese cultural confidence,it is also tinged with the colour of the Japanese mono no aware,so that the contents of his fiction are more embracive and richer.

关 键 词：亦夫小说的“转型” “狗托邦” 深度知日“浮世绘” 寓言魔力 

分 类 号：I207.4[文学—中国文学]