澳门地区剧作家周树利校园戏剧写作的传统立场  

The Traditional Position of Campus Play Writing by Zhou Shuli,a Macao region Playwright

作　　者：曾小月[1] Zeng Xiaoyue

机构地区：[1]汕头大学文学院

出　　处：《华文文学》2024年第6期100-104,共5页Literatures in Chinese

基　　金：广东省哲学社会科学规划项目“海外潮人文学资料库建设及其文学地理学研究”(编号:GD24YDXZZW03);汕头大学数字人文与新文科建设基地项目“基于数字人文的东南亚潮汕籍作家作品资料库建设及其地理书写研究”;汕头大学东南亚研究中心开放项目“泰国潮人文学与潮汕文化”。

摘　　要：校园题材是澳门地区华文剧作家周树利戏剧作品中最重要的题材之一。周树利将中小学校园题材与澳门地区文化、中国传统戏剧创作手法相结合,创造出了一系列独具特色的儿童戏剧。周树利戏剧中的校园题材不仅反映了澳门地区青少年的成长困惑和家庭教育问题,具有鲜明的现实主义风格,而且其作品中一以贯之的戏剧传统技法更是令人瞩目,成为我们全面了解剧本意蕴和作者创作意图的一条重要路径。Campus theme is one of the most important themes in the dramatic works of Zhou Shuli,a Chinese-language playwright in Macao region.By combining the campus theme of primary schools and middle schools with Macao region culture and writing methods of traditional Chinese plays,Zhou Shuli has created a series of children’s plays with unique features.The campus theme of Zhou Shuli’s plays not only reflects the issue of growing-up confusion with the Macao region teenagers but also that of family education,characterized by their vivid style of realism,and the consistent traditional dramatic techniques of his work are even more eye-catching,becoming an important pathway to our comprehensive understanding of the meaning of his plays as well as the intentions of the author.

关 键 词：周树利 校园戏剧 传统 澳门地区 

分 类 号：I207.4[文学—中国文学]