戏曲文化旅游研究综述  

A Review of Research on Traditional Chinese Opera Culture Tourism

作　　者：倪子杰 杨国利 王玉香 NI Zi-jie;YANG Guo-li;WANG Yu-xiang(School of Tourism,Xinjiang University of Finance and Economics,Urumqi 830012,Xinjiang)

机构地区：[1]新疆财经大学旅游学院,新疆乌鲁木齐830012

出　　处：《江苏商论》2025年第1期58-61,共4页Jiangsu Commercial Forum

摘　　要：在文旅融合的大背景下,戏曲文化作为一种非物质文化遗产,拥有悠久的历史和厚重的文化内涵,是极具价值的文化旅游资源。为了发挥出最大的经济效益与社会意义,本文在戏曲文化与旅游融合发展的基础上,主要从旅游资源开发的视角切入,通过梳理戏曲文化旅游的内涵与特点,对戏曲旅游资源开发利用进行分析。总结了多位学者关于开发的必要性、价值、方式与困境的探讨,最后提出了未来研究内容的展望。利用跨学科背景知识对旅游资源的开发建立新的理解,同时把握好开发的力度,坚持戏曲文化的原真性,以全球化的视野助力旅游事业的发展。In the context of the integration of culture and tourism,opera culture,as an intangible cultural heritage,has a long history and profound cultural connotations,and is an extremely valuable cultural tourism resource.In order to maximize economic benefits and social significance,this article,based on the integration of opera culture and tourism development,mainly approaches from the perspective of tourism resource development.By sorting out the connotation and characteristics of opera culture tourism,it analyzes the development and utilization of opera tourism resources.Summarized the discussions of multiple scholars on the necessity,value,methods,and challenges of development,and finally proposed prospects for future research content.Utilize interdisciplinary background knowledge to establish a new understanding of the development of tourism resources,while grasping the intensity of development,adhering to the authenticity of traditional Chinese opera culture,and using a global perspective to support the development of the tourism industry.

关 键 词：戏曲 戏旅融合 旅游资源开发 

分 类 号：F59[经济管理—旅游管理]