三宝原创音乐剧对中国本土化音乐剧创作的启示  

The Inspiration of Sanbao’s Original Musical Theater on the Creation of Localized Musical Theater in China

作　　者：刘楠楠 LIU Nannan(Modern Music College,Shenyang Conservatory of Music,Shenyang Liaoning 111000,China)

机构地区：[1]沈阳音乐学院现代音乐学院,辽宁沈阳111000

出　　处：《鞍山师范学院学报》2024年第5期47-52,共6页Journal of Anshan Normal University

基　　金：辽宁省教育厅2021年度科研课题(LJKR0483)。

摘　　要：音乐剧作为一种艺术形式,20世纪80年代正式被引入中国。经过四十余年的演进,伴随着国内音乐剧市场的日益成熟以及公众对音乐剧艺术认知度的逐步提升,中国音乐剧已进入本土化探索的新时期。音乐家三宝的音乐剧作品以其宏伟气势和流行抒情的音乐魅力形成了鲜明的个性化风格,基于三宝音乐剧作品的创作特点以及中国本土音乐剧创作的原则,深入探讨其为中国本土音乐剧创作所提供的宝贵启示。Musical theater,as an art form,was not officially introduced to China until the 1980s.After more than 40 years of evolution,with the increasing maturity of the domestic musical theater market and the gradual improvement of public awareness of musical art,Chinese musical theater has transitioned to a new era of localized exploration.Musician Sanbao has created a distinct personalized style with the grandeur and popular lyrical musical charm of his musical works.Based on the creative characteristics of Sanbao’s musical works and the principles of Chinese local musical theater creation,this article explores in depth the valuable insights it provides for the creation of Chinese local musical Theater.

关 键 词：三宝 本土化音乐剧 创作 启示 

分 类 号：J823[艺术—戏剧戏曲]