绘画黑白灰形式结构与视觉审美路径探微  

Exploration of the Formal Structure and Visual Aesthetic Path of Black,White and Gray Forms in Painting

作　　者：连晓红 LIAN Xiaohong(School of Fine Arts,Anshan Normal University,Anshan Liaoning 114007,China)

机构地区：[1]鞍山师范学院美术学院,辽宁鞍山114007

出　　处：《鞍山师范学院学报》2024年第5期57-61,共5页Journal of Anshan Normal University

基　　金：辽宁省一流本科课程项目(辽教办[2022]251号);鞍山师范学院科研项目(23KYXM106)。

摘　　要：从绘画的黑白灰形式结构角度分析艺术作品的创作原理,通过对画面视觉元素的概括与提取,探寻艺术创作内在的形式规律,解读艺术作品深层的创作理念与审美意韵。通过研读经典绘画,对画面中视觉元素进行解析与提取,研究艺术语言的形式美感,以及与内在心理的必然链接,体悟经典绘画形式结构的意韵之美,从而获得形式审美的真谛与艺术创作的方法论。From the perspective of formal structure of black,white and gray of painting,this paper analyzes the creative principles of art works.By summarizing and extracting visual elements of the picture,it explores the inherent formal rules of art creation,interprets the deep creative concepts and aesthetic charm of art works,focuses on studying classic painting,analyzing and extracting visual elements in the picture,studying the formal beauty of art language,and the inevitable connection with inner psychology,and comprehending the beauty of the formal structure of classic painting,thus obtaining the true essence of formal aesthetics and the methodology of art creation.

关 键 词：黑白灰 形式结构 主观转化 审美路径 

分 类 号：J209[艺术—美术]