视觉感知理论下的博物馆动线设计策略  

Design Strategies for Museum Circulation Based on Visual Perception Theory

作　　者：宋益民[1] 刘佳乐 SONG Yi-min;LIU Jia-e(Anhui University of Technology,Ma'anshan,Anhui 243032)

机构地区：[1]安徽工业大学,安徽马鞍山243032

出　　处：《吉林艺术学院学报》2024年第5期67-73,共7页Journal of Jilin University of Arts

摘　　要：从视觉感知理论出发,深入探讨博物馆动线设计的策略,对视觉感知理论与博物馆动线设计的解读,建立二者链接关系,并分析视觉感知规律、要素以及心理因素对博物馆动线的影响,总结梳理提出三项博物馆动线设计策略:强化视觉注意引导、优化视觉体验空间、提升视觉感知效果,将“观众视觉感知需求”与“动线视觉布局”整理成为一条连贯的视觉线路,以期为该领域的理论与实践提供新的视角与参考,提高观众的参观体验和对博物馆展品的理解。Starting from visual perception theory,this study explores the strategies for museum circulation design,linking the interpretation of visual perception theory with museum circulation design.It analyzes the influence of visual perception principles,elements,and psychological factors on circulation,and proposes three design strategies for museum circulation:strengthening visual attention guidance,optimizing visual experience spaces,and enhancing visual perception effects.The study aims to align the"audience’s visual perception needs"with the"circulation visual layout"into a coherent visual pathway.The goal is to offer new perspectives and references for both theoretical and practical applications in this field,improving visitors’experience and enhancing their understanding of museum exhibits.

关 键 词：视觉感知理论 博物馆动线设计 注意力引导 视觉体验 

分 类 号：G265[历史地理—考古学及博物馆学]