中国画创作中青海地域民族人物题材的绘画表达  

Constructing“Ethnic Identity”in the Creation of Qinghai Regional Ethnic Figures in Chinese Painting

作　　者：黄沛沛 HUANG Pei-pei(Dept.of Xining Painting Academy,Xining 810008,China)

机构地区：[1]西宁画院,青海西宁810003

出　　处：《青海师范大学学报（社会科学版）》2024年第5期135-139,共5页Journal of Qinghai Normal University（Social Sciences）

摘　　要：绘画创新的关键在于如何处理好继承与创造的关系。中国画在延续和发展过程中,不仅要继承传统,而且要从现实生活中捕捉、寻找创作题材与灵感。青海地区独特的民族文化和区域景观,为中国人物画创作提供了丰富的素材。创作者所描绘的众多青海地域民族人物形象,客观展现了青海民族地区的真实生活状态,也映射出创作者对青海民族文化的关注与认同。青海地区民族人物题材绘画创作,不仅展示了其绘画表达方式,而且丰富了中国画创作的内容。The innovation of painting lies in the relationship between inheritance and creation.In the process of continuation and development of Chinese painting,it constantly inherits and innovates ideas from tradition,but also keenly captures inspiration from the real life of the folk and the nation.Qinghai is one of the multi-ethnic settlements in China,and it is also a province with a high proportion of nationalities.The ethnic culture and regional landscape in Qinghai provide rich materials for the creation of Chinese figure painting.The images of many ethnic figures in Qinghai region depicted by the painters not only objectively reappear the real life state of the ethnic group in Qinghai,but also reflect the painters'concern and identification of the ethnic culture in Qinghai.This paper will specifically analyze the connotation and extension of the ethnic figure theme in Qinghai in the creation of Chinese painting,and explore the universal value and pluralistic trend of the ethnic figure theme.

关 键 词：青海 少数民族 人物题材创作 

分 类 号：J222.7[艺术—美术]