博物馆与艺格敷词:博物馆研究的新路径  

Museums and Ekphrasis:A New Approach to Museum Studies

作　　者：李骁 Li Xiao

机构地区：[1]南京师范大学美术学院,江苏南京210023

出　　处：《艺术探索》2024年第6期70-79,共10页Arts Exploration

基　　金：2023年江苏省高校哲社重大项目“江苏地区博物馆跨媒介叙事研究”(2023JZD101)。

摘　　要：艺格敷词在意义与话语实践的历次演变中均与博物馆产生关联。早期的博物馆为艺格敷词诗歌创作提供了作品的标题及相关信息。现代博物馆使作为博物馆标签的艺格敷词愈发强化其实物性,描述和提供的作品信息也愈发详细。当下的艺格敷词研究进入跨媒介话语实践层面,与此同时,新博物馆学也逐渐成为一门显学。以艺格敷词与博物馆的联系为基础,在博物馆场域中开展艺格敷词的跨媒介实践,可成为一条博物馆学理论与实践相结合的新路径。Ekphrasis has been associated with museums throughout its various stages of evolution,in meaning as well as in discursive practice.Early museums provided titles and related information to inspire ekphrastic lyrical creations.Modern museums have further been enhancing the physicality of ekphrasis through museum labels,offering increasingly detailed descriptions and information about their exhibits.Current research on ekphrasis has been entering the realm of cross-media discursive practice,and at the same time,modern museology has gradually become a prominent field of study.Building on the connection between ekphrasis and museums,cross-media ekphrastic practices within the museum's context pave a new way that allows for the integration of museum theory and practice.

关 键 词：博物馆 艺格敷词 《画记》 跨媒介话语实践 

分 类 号：G269.2[历史地理—考古学及博物馆学]