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作 者:费团结[1] 陈曦[1] FEI Tuanjie;CHEN Xi(School of Chinese Language,Literature and History,Shaanxi University of Technology,Hanzhong 723000,Shaanxi)
出 处:《陕西理工大学学报(社会科学版)》2024年第6期28-36,共9页Journal of Shaanxi University of Technology(Social Science)
基 金:国家社会科学基金项目(16XZW022)。
摘 要:在当代中国西部文学创作中,汉族作家的少数民族叙述如有批评性描写,则常常受到责难。作为异文化进入者与表现者,汉族作家往往具有启蒙的、人道的观念或发展、进步的观念,与本地人的民族文化认同或民族主义观念难免产生冲突。汉族作家对于少数民族生活的书写,应该持有平等的友善的态度。汉族作家与所写的少数民族构成自我与他者的关系,汉族作家既是自我、创作主体,也是他者。作为他者,汉族作家显然提供了一种重要的书写和评价角度,具有作为外在参照的相异性、多元性的意义,批评性的书写自然不可避免。In contemporary Western Chinese literary creation,the Han nationality writers often face criticism for their critical depictions of ethnic minorities.As outsiders from different cultures,Han writers often have enlightening and humane concepts or ideas of development and progress,which conflict with the local people’s national cultural identity or nationalist beliefs.Han writers should hold an equal and friendly attitude towards the writing of minority life.The Han nationality writers and the ethnic minorities they write about form a relationship between themselves and others.Han writers are both themselves,creative subjects,and others.As others,the Han writers should clearly provide an important perspective for writing and evaluation,with the significance of diversity and distinctiveness as external references,and critical writing is naturally inevitable.
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