数字化视域下满族服饰图案与色彩的审美研究  

Aesthetic research of Manchu clothing patterns and colors from digital perspective

作　　者：邸劲奔 潘文峰 DI Jinben;PAN Wenfeng(College of Art,Jilin University,Changchun 130012,China;Gangwon National University,Gangwon 200701,Korea)

机构地区：[1]吉林大学艺术学院,吉林长春130012 [2]韩国国立江原大学,韩国江原道200701

出　　处：《染整技术》2024年第12期93-95,共3页Textile Dyeing and Finishing Journal

摘　　要：满族服饰是满族文化与汉族文化相互交融的产物,承载着深厚的历史底蕴和鲜明的民族特色,具有独特的图案设计与色彩搭配,反映出满族社会所秉持的审美理念。数字技术的迅猛发展为传统文化的传承与创新开拓了崭新的途径,也为艺术创作活动、文化保护工作及数字展示项目提供了全新的思路。立足数字化视角,探讨满族服饰的图案与色彩,分析满族服饰在数字化视域下的转变与重构,推动民族文化数字化转型。Manchu clothing is the product of the integration of Manchu culture and Han culture,carrying profound historical heritage and distinct national characteristics,with unique pattern design and color matching,reflecting the aesthetic concept upheld by Manchu society.The rapid development of digital technology has opened up new ways for the inheritance and innovation of traditional culture,and also provided new ideas for artistic creation activities,cultural protection work and digital display projects.Based on the digital perspective,the patterns and colors of Manchu clothing are discussed,and the transformation and reconstruction of Manchu clothing in the digital perspective are analyzed,which can promote the digital transformation of national culture.

关 键 词：数字化视域 满族服饰 图案 色彩 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]