破旧立新:华北解放区旧剧改革(1945-1949)  

Breaking with the Old to Establish the New:Reform of Traditional Theater in the North China Liberated Areas(1945-1949)

作　　者：李尚明 周锦涛 LI Shang-ming;ZHOU Jin-tao(School of Marxism,Xiangtan University,Xiangtan,Hunan 411105,China)

机构地区：[1]湘潭大学马克思主义学院,湖南湘潭411105

出　　处：《湘潭大学学报（哲学社会科学版）》2024年第6期126-132,共7页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：湖南省教育厅重点项目:“中国共产党探索文化治理的百年历史及经验研究”(21A0118),湖南省研究生科研创新项目(CX20220607)。

摘　　要：旧剧是中华民族文化艺术的重要遗产之一,在传统社会具有教化和娱乐的双重功效,同时也带有浓厚封建色彩。抗战胜利后,华北解放区旧剧改革困难重重,面临旧剧盛行与新戏不足,剧团内部剥削严重,剧团与艺人演出营利思想浓厚,领导干部改革观念落后等问题。华北解放区党和政府结合地方实际情况,进一步从“改剧、改人、改制”等方面着手推动旧剧改革。改革后的旧剧和创作的新剧在丰富民众娱乐生活的同时,也配合和推动了华北解放区的参军、拥军、土改生产等各项工作,并潜移默化地完成对民众的革命教育。The traditional theater is one of the significant legacies of Chinese national culture and art.In traditional society,it performed dual functions of edification and entertainment while also carrying strong feudal colors.After the victory in the War of Resistance Against Japan,the reform of traditional theater in the liberated areas in North China faced numerous challenges,including the prevalence of old plays along with the shortage of new ones,severe exploitation within theater troupes,a strong profit-oriented mindset among theater troupes and performers,and outdated reform concepts held by leading cadres.The Party and government of the North China Liberated Areas acted in accordance with actual local conditions to further promote the reform of traditional theater from such aspects“reforming the plays,reforming the people,and reforming the system.”Following the reforms,both the reformed traditional plays and newly created ones enriched the entertainment lives of the broad masses,while also supporting and advancing various tasks in the liberated areas in North China,such as military enlistment,support for the army,land reform,and production,which imperceptibly helped to accomplish the revolutionary education among the populace.

关 键 词：华北解放区 旧剧改革 文化动员 

分 类 号：K269[历史地理—历史学]