在交往中影响:论谷崎润一郎与中国现代戏剧家的关系  

Influence in Interactions:the Relationship between Junichiro Tanizaki and Modern Chinese Dramatists in China

作　　者：张能泉[1] 李慧[2] Zhang Neng-quan;Li Hui(College of Arts and Law,Hunan Institute of Science and Technology,Yongzhou,Hunan 425199,China;College of Foreign Languages,Nanchang Institute of Technology,Nanchang,Jiangxi 330044,China)

机构地区：[1]湖南科技学院文法学院,湖南永州425199 [2]南昌理工学院外国语学院,江西南昌330044

出　　处：《湘潭大学学报（哲学社会科学版）》2024年第6期177-181,共5页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：湖南省社会科学基金项目“日本大正时期文学中的中国形象研究”(21WLH28)。

摘　　要：谷崎润一郎与田汉和欧阳予倩两位中国现代戏剧家的交往既与谷崎润一郎第二次来华的目的有关,也与当时中日现代文坛语境相关,对彼此的文学创作都产生了影响。就谷崎润一郎而言,交往成为他放弃“中国情趣”的重要契机,使其文学创作不再关注中国题材,转而关注日本传统。就相关中国现代戏剧家而言,交往使田汉与欧阳予倩的戏剧创作不同程度地呈现出谷崎润一郎式的唯美色彩。Junichiro Tanizaki’s interactions with two modern Chinese dramatists,Tian Han and Ouyang Yuqian,are related to both the purpose of Tanizaki’s second visit to China and the context of the Sino-Japanese modern literary context at that time.These had mutual influence on their literary creation.For Tanizaki Jun’ichirō,these interactions became an important turning point for him to abandon his“creative interest in China”,shifting his literary focus away from Chinese themes to Japanese traditions.As for the related modern Chinese dramatists,these interactions made Tian Han and Ouyang Yuqian’s drama creation show the aesthetic color of Tanizaki’s style to different degrees.

关 键 词：谷崎润一郎 中国现代戏剧家 交往 文学影响 

分 类 号：I109.5[文学—世界文学]