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作 者:阳巧[1] 贾菲菲 YANG QIAO;JIA FEIFEI
机构地区:[1]合肥工业大学建筑与艺术学院
出 处:《设计》2024年第21期60-64,共5页Design
摘 要:构建徽州竹编体感互动展陈平台,探索数字化驱动下非遗手工艺在展陈设计中的策略,以推动非遗手工艺向高质量发展和传承。以非遗手工艺的发展困境和传承价值的分析为基础,挖掘非遗手工艺在展陈设计中的痛点和趋势,并在数字化技术飞速发展的背景下,总结出非遗手工艺在展陈设计中的发展策略,以徽州竹编技艺为案例,从剖析用户需求,明确设计定位,优化框架流程和技术开发这4个方面展开设计实践。基于非遗手工艺展陈策略的指导,构建出徽州竹编体感互动展陈平台。实现了从以“物”为中心的静态展陈模式向以“用户”为中心的互动体验模式的转换,使用户在互动体验中感受非遗技艺的魅力,也为非遗手工艺数字化展陈提供新路径及实践参考。To build an interactive exhibition platform for Huizhou bamboo weaving,explore the strategies of intangible cultural heritage handicrafts in exhibition design under digital driving,and promote the high-quality development and inheritance of intangible cultural heritage handicrafts.Based on the analysis of the development difficulties and inheritance value of intangible cultural heritage handicrafts,this study explores the pain points and trends of intangible cultural heritage handicrafts in exhibition design.In the context of the rapid development of digital technology,the development strategies of intangible cultural heritage handicrafts in exhibition design are summarized.Taking Huizhou bamboo weaving technology as a case study,design practice is carried out from four aspects:analyzing user needs,clarifying design positioning,optimizing framework processes,and technological development.Based on the guidance of the exhibition strategy of intangible cultural heritage handicrafts,a Huizhou bamboo weaving interactive exhibition platform was constructed.The transition from a static exhibition mode centered on"objects"to an interactive experience mode centered on"users"has been achieved,allowing users to experience the charm of intangible cultural heritage skills in interactive experiences.This also provides a new path and practical reference for the digital exhibition of intangible cultural heritage handicrafts.
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