电影叙事学视域下中国动画中的女性形象分析——以《深海》为例  

Analysis of Female Image in Chinese Aanimation from the Perspective of Film Narrative Science--Take the Deep Sea as an example

作　　者：周函蒨 ZHOU Hanqian(Xi'an Siyuan University,Xi'an 710038,China)

机构地区：[1]西安思源学院,陕西西安710038

出　　处：《鞋类工艺与设计》2024年第23期126-128,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：本文将电影叙事学的相关理论内容与中国动画中的女性形象的发展演变相结合,对动画电影《深海》的叙事时间、叙事视点、叙事空间展开研究,从非线性的叙事时序、主客结合的叙事视角、梦境与现实交错的叙事空间3个方面对女性形象的塑造和特征进行探讨,着重从电影叙事学的角度探究当代中国动画中女性角色的形象塑造。This article combines the relevant theoretical content of film narratology with the development and evolution of female characters in Chinese animated films,and conducts research on the narrative time,narrative perspective,and narrative space of the animated film“Deep Sea”.It explores the shaping and characteristics of female characters from three aspects:non-linear narrative timing,subject object narrative perspective,and narrative space where dreams and reality intersect.It focuses on exploring the image shaping of female characters in contemporary Chinese animation from the perspective of film narratology.

关 键 词：电影叙事学 女性形象 中国动画 

分 类 号：J904[艺术—电影电视艺术]