晚明绍兴祁氏家族闺秀的群体唱和与形象建构  

Responsory Poem Writing and Image Construction of Young Ladies of Qi Family in Shaoxing in Late Ming Dynasty

作　　者：李思博 朱焱炜[1] LI Si-bo;ZHU Yan-wei(School of International Education,Shanghai University,Shanghai 200444,China)

机构地区：[1]上海大学国际教育学院,上海200444

出　　处：《辽东学院学报（社会科学版）》2024年第5期61-70,共10页Journal of Liaodong University：Social Science Edition

摘　　要：晚明绍兴祁氏家族闺秀联吟唱和之风盛行,由此形成的祁门闺秀唱和群也成为明代家族女性唱和群体的典型代表。祁氏家族闺秀的唱和行为,映射出唱和者对自我形象的建构,更流露出祁门闺秀的女性诗教观与创作的版权意识。从女性文学书写和女性意识的视角探索江南文化视域下闺秀的创作与心理,是一条必要且有效的路径。闺秀为迎合主流期待,在一定程度上对自我形象进行了“包装”。从祁氏家族闺秀的唱和中还可窥探晚明女性如何打造自己的文学空间,以及她们对自我身份困境的认知与突破尝试。In the late Ming Dynasty,the responsory poem writing prevailed in young ladies of the Qi family in Shaoxing,and the lady group became a typical representative of female groups that wrote responsory poems in the Ming Dynasty.The poem writing of the Qi family’s ladies reflects the construction of their self-image,and reveals their view of poetic education and the copyright consciousness of creation.It is a necessary and effective way to explore their creation and psychology from the perspective of female literature writing and female consciousness.In order to meet the mainstream expectations,the ladies adorned their self-image to a certain extent.From the responsory poem writing of the young ladies of Qi’s family in Shaoxing,we can also see how women in the late Ming Dynasty created their own literary space,as well as their cognition of the dilemma of self-identity and their attempts to break through.

关 键 词：唱和 闺秀 绍兴 祁氏家族 商景兰 女性意识 

分 类 号：I207.22[文学—中国文学]