花街叙事:探讨江南书写的几种可能——以叶兆言、徐则臣、路内为中心  

Ye Zhaoyan,Xu Zechen,Lu Nei’s Jiangnan Writing

作　　者：贺与诤 韩箫蔓 HE Yu-zheng;HAN Xiao-man(Zhou Youguang College of Literature,Changzhou University,Changzhou 213146,China)

机构地区：[1]常州大学周有光文学院,江苏常州213146

出　　处：《辽东学院学报（社会科学版）》2024年第5期71-76,共6页Journal of Liaodong University：Social Science Edition

基　　金：江苏省哲学社会科学青年项目“江南士风与新世纪江苏小说创作研究”(22ZWC002);周有光语言文化学术研究项目(ZYG002206)。

摘　　要：叶兆言、徐则臣、路内三位江苏籍作家不约而同地选择家乡的以花街、蔷薇街命名的“烟柳巷”为叙事场域,建构起新世纪以来的“文化水乡”。花街女子身上的胭粉气与侠妓精神背后的潜藏着江南格调的新质。作家通过从花街走向“外面”的少年,回溯自己对江南的想象与记忆,复现“到世界去”与“无根的迷惘”之间的现实张力。地域流动性更加激活了对于花街意象的想象性建构。这些皆为江南书写提供了文化意味以及作家参与城市形塑的可能性。Ye Zhaoyan,Xu Zechen and Lu Nei,writers from Jiangsu Province,chose the“Yanliu Lane”named after Flower Street and Rose Street in their hometown as the narrative places,and constructed the“cultural water town”since the new century.The new quality of Jiangnan style is hidden behind the rouge scent and the chivalrous spirit of the women in the Flower Street.By the depiction of the teenagers moving from the Flower Street to the“outside”,the writers trace their imagination and memory of Jiangnan,and reproduce the realistic tension between“going to the world”and“rootless confusion”.The regional mobility further activates the imaginative construction of the Flower Street image.These all provide cultural meaning for Jiangnan writing and the possibility of writers participating in urban shaping.

关 键 词：花街叙事 江南书写 少年叙事 城市文化 情感形塑 

分 类 号：Z247.5[文化科学]