谴责小说的当代创作形态及主题拓展——以李洱的《应物兄》为例  

Contemporary Creative Forms and Theme Expansions of Condemnation Novels:Taking Li Er's Elder Brother Ying Wu as an Example

作　　者：熊辉 XIONG Hui(School of Foreign Languages,Sichuan University,Chengdu,Sichuan 610065)

机构地区：[1]四川大学外国语学院,四川成都610065

出　　处：《绵阳师范学院学报》2024年第12期1-9,共9页Journal of Mianyang Teachers＇ College

基　　金：国家社会科学基金重大招标项目“中国现代文学批评域外思想资源整理与研究(1907—1949)”(21&ZD258)。

摘　　要：李洱的《应物兄》出版以来赢得了读者和评论界的高度肯定,其对现实生活各个侧面的“勘探”和批评毫不逊色于晚清谴责小说,可被视为当代谴责小说创作的高峰。李洱在作品中回避了鲁迅诟病谴责小说内容不真实的弱点,不仅丰富了该类小说的叙事艺术,而且还拓展了谴责小说的主题,把批判的矛头从官场和商界扩展到高校领导、学科建设、学术研究、中国式的学者迎合以及佛门圣地,彰显出小说对现实社会“谴责”的深度和广度,为以后该类型小说的创作提供了诸多经验。Elder Brother Ying Wu by Li Er has won a high recognition from its readers and critics since it was published.There is no less"exploration"and criticism of all the aspects of real life in Elder Brother Ying Wu than in condemnation novels in the late Qing Dynasty,so Elder Brother Ying Wu is regarded as the peak of contemporary condemnation novels.Li Er avoids Lu Xun's criticism of the weakness that condemnation novels'contents are untrue.Li Er not only enriches the narrative art of condemnation novels,but also expands the themes of such novels,and extends the objects of criticism from officialdom and business to university leadership,disciplinary construction,academic research,Chinese-style scholars'catering and Buddhist holy land,highlighting the depth and breadth of"condemnation"of real society,and providing a lot of experiences for creating such novels in the future.

关 键 词：《应物兄》 当代谴责小说 学术腐败 叙事艺术 

分 类 号：I206.7[文学—中国文学]