论古代审美实践与当代生活美学——兼评刘显波、熊隽《唐代家具研究》  

On Ancient Aesthetic Practice and Contemporary Life Aesthetics-A Review of Liu Xianbo and Xiong Jun’s Research on Tang Dynasty Furniture

作　　者：季芳[1] 展旭豪 JI Fang;ZHAN Xuhao(School of Art and Design,Hubei Univ.of Tech.,Wuhan 30070,China)

机构地区：[1]湖北工业大学艺术设计学院,湖北武汉430068

出　　处：《湖北工业大学学报》2024年第6期90-94,共5页Journal of Hubei University of Technology

基　　金：湖北省高等学校哲学社会科学研究重大项目(湖北省社会科学基金前期资助项目)(20ZD042);湖北文化创意产业化设计研究中心基金项目(HBCY2407)。

摘　　要：在艺术与生活的界限日益消弭的时代,实践美学作为体系严整、随着时代而更新发展的动态的美学,必然关注这一新型社会实践与理论研究现象,从实践中心的视角关照生活美学,在与生活美学的互动之中,与时俱进,开拓理论视野,从自身学理、历史资源、实践应用的角度提出独有见解。从新的起点将美学的视野延伸、扩大到整个文化领域和大众生活过程中,形成与生活相关的美学形态,建设具有中国特色的生活美学。In an era where the boundaries between art and life are increasingly blurred,practice aesthetics,as a rigorous system that evolves with times,must pay attention to this new social practice and theoretical research phenomenon.From the perspective of practice,it should interact with life aesthetics,keep up with the,and broaden its theoretical vision.It should propose unique insights from the perspectives of its own academic principles,historical resources,and practical applications.From a new point,it should extend and expand the vision of aesthetics to the entire cultural field and the daily life process of the people,forming an aesthetic form related to life and building a life aesthetics with Chinese characteristics.

关 键 词：实践美学 生活美学 古代资源 当代应用 

分 类 号：G256.4[文化科学—图书馆学]