重复困境中的自毁与突围--论埃莱娜·费兰特对弑父主题的改写  

Self-destruction and Breakout in Dilemmas of Repeat--On Elena Ferrante's Rewriting of the Theme of Patricide

作　　者：张丽瑶 ZHANG Liyao(School of Chinese Language and Literature,Central China Normal University,Wuhan Hubei,430079,China)

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《四川职业技术学院学报》2024年第6期139-144,共6页Journal of Sichuan Vocational and Technical College

基　　金：2020年国家社科基金年度一般项目“萨义德批评理论的发生、流变与影响研究”(20BZW024)。

摘　　要：“弑父”是“那不勒斯四部曲”的一个核心主题。在文本内部,埃莱娜·费兰特以陀思妥耶夫斯基的《卡拉马佐夫兄弟》为引,引出以尼诺为代表的男性主人公因“重复”困境导致的弑父的失败,及以埃莱娜和莉拉为代表的女性主人公以“自毁”与“突围”为途径实现的弑父的成功。在文本外部,费兰特将以往男性作家写男性主人公的弑父主题进行改写,突破了只有男性主人公可以通过弑父获得人格独立、实现精神追求的禁区,实现了女性作家对男性作家的弑父。"Patricide"is a core theme of"The Neapolitan Novels".Inside the text,Elena Ferrante cited Dostoyevsky's The Brothers Karamazov to draw out the failure of the male protagonist represented by Nino who cannot"kill"his father due to the"repetition"dilemma and the success of the female protagonist represented by Elena and Lila who achieves the patricide through"self-destruction"and"breakout".Outside the text,Ferrante rewrote the theme of male protagonists'patricide by male writers in the past,breaking through the forbidden zone that only male protagonists can gain personality independence and spiritual pursuit through patricide,and realized the patricide of male writers by female writers.

关 键 词：埃莱娜·费兰特 那不勒斯四部曲 弑父 女性主义 

分 类 号：I106.4[文学—世界文学]