中国国家图书馆藏敦煌遗书音乐文献辑录与释正  

Collating and Annotating the Music literature of Dunhuang Manuscripts Collected in the National Library of China

作　　者：刘文荣[1] Liu Wenrong

机构地区：[1]南京艺术学院现代音乐与科技学院,江苏南京210013

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第6期23-27,I0002,共6页JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance

基　　金：教育部人文社会科学研究规划基金项目“海外藏敦煌遗书音乐文献整理与研究”(项目编号:20YJA760051)的阶段性成果。

摘　　要：敦煌遗书是研究中古中国历史学、考古学、人类学、语言学、文学史、艺术史与社会生活的重要参考资料,是20世纪初中国文化史上的三大发现之一。中国国家图书馆藏敦煌遗书中涉音乐文献颇为丰富,对敦煌乐器的研究具有极为重要的价值与意义。中国国家图书馆藏敦煌遗书涉音乐文献者均为写本,出现有笙、箜篌、琵琶等乐器种类。对中国国家图书馆藏敦煌遗书音乐文献的辑录、考证和辨析,有助于深化中国中古音乐社会生活史、乐器名物与音乐文化传播的研究,为观察和研究丝绸之路民族地区间音乐文化交往、交流、交融提供了重要的史料视角与实证语境。The Dunhuang manuscripts are important research materials for studying the history,archaeology,anthropology,linguistics,literary history,art history,and social life of ancient China,and are one of the three major discoveries in the history of Chinese culture in the early 20th century.In the Dunhuang manuscripts collected in the National Library of China,there is bountiful music literature that is of highly important research value for studying Dunhuang musical instruments,and is now being fully collated and annotated.The music-related documents in the Dunhuang manuscripts collected in the National Library of China are all manuscripts,including materials on musical instruments such as sheng,konghou,and pipa.The research and the analysis of these documents are conducive to the study of the life history,musical instruments,and the history of music culture spread in ancient China.

关 键 词：中国国家图书馆 敦煌遗书 音乐文献 

分 类 号：J609[艺术—音乐] J607