从听觉叙事看《印度之行》中E.M.福斯特的思想二重性  

Interpretation of E.M.Forster’s Duality of Thoughts in A Passage to India from the Perspective of Auditory Narrative

作　　者：吕瑶 刘丹 LYU Yao;LIU Dan(College of Foreign Languages and Cultures Sichuan University,Chengdu 610207,China)

机构地区：[1]四川大学外国语学院,四川成都610207

出　　处：《商丘职业技术学院学报》2024年第6期43-47,共5页JOURNAL OF SHANGQIU POLYTECHNIC

基　　金：2020年度国家社科基金项目“18世纪以来英语小说中的瘟疫书写研究”(20BWW056)。

摘　　要：《印度之行》是20世纪英国作家E.M.福斯特的重要代表作之一。小说中的声音景观,比如对话中的人声、山洞回声和庆典嘈杂声,既参与人物形象塑造,又勾连起人物内心的变动和事件的发展,使小说更具内在逻辑性。从听觉叙事的角度来审视,“被听”的印度人体现了作者对英国人特权的批判,而对马拉巴山洞回声幻听的恐惧以及“非理性的”东方听觉模式的抗拒,又体现了作者内化的“东方主义”的思想和殖民执念。作者对小说中的声音以及不同人物对声音感知的描写,暴露了其思想二重性:霸权消解与殖民执念。A Passage to India is one of the representative works of the 20th-century British author E.M.Forster.The soundscape in the novel,such as human voices in dialogue,echoes in caves,and the noise of celebrations,contributes to the character portrayal and links the development of events and changes in the characters’inner worlds,endowing the novel an inherent logic.Analyzing from the perspective of auditory narration,this article reveals that E.M.Forster places Indians in the“being heard”position to criticize privilege,while the fear of hallucinatory echoes in the Marabar Caves and the resistance to the so-called irrational Eastern auditory mode demonstrate the author’s internalized“Orientalism”and colonial obsession.The author’s depiction of sounds in the novel and the characters’perceptions of these sounds exposes his duality of thought:dissolution of imperial dominance and the obsession with colonial power.

关 键 词：《印度之行》 听觉模式 声音景观 思想二重性 

分 类 号：I106[文学—世界文学]