古诗词艺术歌曲《念奴娇·赤壁怀古》创作思想及演唱解读  

Interpretation on the Creation and Singing of Nian Nu Jiao Memories of the Past at Red Cliff

作　　者：祁伟耿 QI Weigeng(Shenyang Conservatory of Music,Shenyang 110000,China)

机构地区：[1]沈阳音乐学院,辽宁沈阳110000

出　　处：《商丘职业技术学院学报》2024年第6期70-73,共4页JOURNAL OF SHANGQIU POLYTECHNIC

摘　　要：古诗词艺术歌曲是中国传统音乐文化中的重要组成部分,它将古代文人的诗词与音乐结合起来,以歌唱的形式传达古诗词的意境和作者情感,具有文化创新融合的意义和鲜明的艺术特色。作品《念奴娇·赤壁怀古》,是苏轼贬官黄州后,因对历史和人生的深刻思考和感悟而作,内涵深刻。因此,演唱时要根据苏轼的生活经历,并依据作者心境和情绪合理运用嗓音,避免炫耀嗓音和歌颂式的演唱,还要注重形体语言的恰当运用,以准确传达苏轼诗词中蕴含的文化力量和人格力量。Ancient Chinese poetry art songs are important part of traditional Chinese music culture,which combines the poems of ancient literati with music,conveying the meaning of ancient poems and the author s emotion in the form of singing,with the significance of cultural innovation and integration and distinctive artistic characteristics.The work Nian Nu Jiao Memories of the Past at Red Cliff was written by Su Shi after he was relegated to Huangzhou and it has profound connotations because it was written out of his deep thinking and feelings about history and life.Therefore,when singing,we should use our voices according to Su Shi s life experience and his state of mind and emotion,avoiding showing off voice and eulogistic singing,and should also pay attention to the appropriate use of body language,in order to accurately convey the cultural power and personality power contained in Su Shi s poem.

关 键 词：古诗词艺术歌曲 苏轼 创作思想 演唱解读 

分 类 号：J616.2[艺术—音乐] J652.5