论鼓师和琴师在黄梅戏伴奏中的核心作用  

The Core Role of Drummer and Music Master in the Accompaniment of Huangmei Opera

作　　者：孙阿楠 Sun A’nan

机构地区：[1]安徽艺术学院音乐学院,合肥230011

出　　处：《滁州学院学报》2024年第6期96-101,共6页Journal of Chuzhou University

基　　金：安徽省教育厅哲学社会科学研究重点项目“安徽地方戏曲伴奏艺术研究”(2023AH052148)。

摘　　要：当前,关乎戏曲伴奏艺术的研究大多聚焦于音乐本体、音乐文化或伴奏技法等领域,对于戏曲伴奏主体的深入探讨尚显不足。黄梅戏伴奏艺术体系复杂且精妙,鼓师和琴师作为乐队的核心人物,不仅掌控着戏曲节奏,还通过精湛的民族技艺和深厚的艺术造诣为黄梅戏表演增添独特魅力。深入讨论鼓师和琴师在黄梅戏伴奏中的核心作用,有助于揭示黄梅戏伴奏艺术的内在逻辑、运行机制、“程式化”及“非程式化”特征。At present,most of the studies on opera accompaniment art focus on music ontology,music culture or accompaniment techniques,the in-depth discussion on the main body of opera accompaniment is still insufficient.The accompaniment art system of Huangmei Opera is complex and exquisite.The drummer and music master,as the core figures of the band,not only control the rhythm of the opera,but also add unique charm to the performance of Huangmei Opera through exquisite national skills and profound artistic attainments.An in-depth discussion of the core role of drummer and music player in the accompaniment of Huangmei Opera is helpful to reveal the inner logic,operating mechanism,"programmed"and"non-programmed"features of the accompaniment art of Huangmei Opera.

关 键 词：鼓师 琴师 黄梅戏伴奏 核心作用 

分 类 号：J825[艺术—戏剧戏曲]