珀耳塞福涅的自我探寻之路——露易丝·格丽克《阿弗尔诺》中的珀耳塞福涅  

Persephone’s Path of Self-discovery—— Persephone’s Image in Louise Gl ü ck’s “Averno”

作　　者：周文妍 ZHOU Wenyan(College of Literature,Renmin University of China,Beijing 100872)

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《牡丹江大学学报》2024年第11期28-34,共7页Journal of Mudanjiang University

摘　　要：通过对诺贝尔文学奖获得者露易丝·格丽克的诗集《阿弗尔诺》的分析,探讨露易丝·格丽克对古希腊珀耳塞福涅神话的创造性改写,有助于透过对这一女神的重新塑造来反思当代人的存在处境。漂泊者珀耳塞福涅的“漂泊”不仅仅是身份的漂泊,在囚徒与主宰之间;还有言语的漂泊,在诉说与沉默之间;还有对于生的困惑与死的疑虑。诗人预感到珀耳塞福涅的漂泊代表着人类的某种困境,而这种困境需要从自我探寻入手去剖析。整个时代处于焦虑和不确定之中,《阿弗尔诺》中的珀耳塞福涅正是这样漂泊在大地与死亡之间的典型代表。This article attempts to explore Louise Glück’s creative rewriting of the ancient Greek myth of Persephone through the analysis of the 2020 Nobel Prize laureate in literature,Louise Glück’s poetry collection‘Averno’,and to reflect on the contemporary human existence through the reshaping of this goddess.The“wander”of the wanderer Persephone is not just a drift of identity,between the prisoner and the master;There is also the wandering of words,between speaking and silence,as well as struggles between life and death.The poet had a premonition that Persephone’s drift represented a certain dilemma for humanity,which needed to be analyzed from the perspective of self exploration.The entire era is in a state of anxiety and uncertainty,and Persephone in Averno is a typical representative of wandering between the earth and death.

关 键 词：珀耳塞福涅 露易丝·格丽克 《阿弗尔诺》 

分 类 号：I106[文学—世界文学]