编辑出版、理论批评与文艺思潮的发生——关于“新南方写作”  

Editing and Publishing,Theoretical Criticism,and the Emergence of Literary Trends——On"New Southern Writing"

作　　者：曾攀 ZENG Pan(Editorial Office of The Southern Literary Arena,Nanning 530000,China)

机构地区：[1]《南方文坛》编辑部,广西南宁530000

出　　处：《海南师范大学学报（社会科学版）》2024年第6期25-30,46,共7页Journal of Hainan Normal University(Social Sciences)

摘　　要：“新南方写作”及其中所包孕的当代中国的文学地方性思潮,是近年来最为引人瞩目的文艺现象之一。这个概念从理论评论杂志、文学期刊到大学学报,实现了从诞生、成型,到发展、衍变的过程。值得注意的是,这个过程与编辑出版无疑是密不可分的,通过理论与创作的出版平台倡导生发的文艺新思潮,往往能够在很大限度上达成相当的传播力和影响力。也就是说,“新南方写作”等文学地方性概念的生发,是一个由学术期刊和编辑出版直接推动的重要范例,由是也延续了现代中国期刊和编辑在学术史,尤其是在文学史中的重要作用,并且形成了关于当代前沿文化的理论创新、概念孵化及文艺创作的新范型。The"new southern writing"and the trend of literary regionalism in contemporary China thus encompassed have become one of the most notable cultural phenomena in recent years.This concept has undergone a process from inception and formation to development and transformation by virtue of theoretical critique journals,literary periodicals,and university academic publications.It is noteworthy that this process is surely inseparable from editting and publishing,for new literary trends generated through publishing platforms of theory and creation can often achieve considerable dissemination and influence to a large extent.That is to say,the emergence of regional literary concepts such as the"new southern writing"is a significant example directly promoted by academic journals as well as editting and publishing,which has continued the important role of modern Chinese journals and editors in academic history,especially the literary history,and has formed a new paradigm for theoretical innovation,conceptual incubation,and literary creation in contemporary forefront culture.

关 键 词：新南方写作 编辑出版 理论批评 文艺思潮 

分 类 号：I206.7[文学—中国文学]