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作 者:路懿菡 Lu Yihan
出 处:《文博》2024年第6期71-75,共5页
摘 要:大连营城子汉代壁画墓为一座新莽至东汉前期的砖砌多室墓,墓室壁画主要分布于墓门内外、主室北壁、东壁及南壁之上。其中最重要的升仙图像位于主室北壁,可分为上、下两半部分。壁画图像既蕴含着汉人对灵魂飞升的渴望,亦表现出新莽至东汉前期墓室壁画图像的明显转变,即不再将对灵魂升仙的希望完全寄托在虚幻的神灵之上,而是开始关注现世生活,将墓主人的生前功业与德行视作其灵魂升仙之路最终顺畅的根本保证。The Han Dynasty mural tomb at Yingchengzi in Dalian is a multi-chamber brick tomb dating from the Xin Dynasty to the early Eastern Han period.The murals are primarily found on the interior and exterior of the tomb door,as well as on the north,east,and south walls of the main chamber.The most significant image of ascension is located on the north wall of the main chamber,and it can be divided into the upper and the lower parts.The mural images not only reflect the Han people's longing for the ascension of the soul but also represent a clear shift in tomb murals from the Xin Dynasty to the early Eastern Han period.This shift marks a departure from placing the hope for the soul's ascension entirely in the hands of imaginary deities,instead focusing more on earthly life.The mural suggests that the deceased's accomplishments and virtues during their lifetime are seen as the fundamental guarantee for the smooth ascension of their soul.
分 类 号:K879.41[历史地理—考古学及博物馆学] K234[历史地理—历史学]
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