《内齐托音传》和《扎雅班第达传》创作特点探析  

An Analysis of the Creative Characteristics in Biography of Naichi Toin and Biography of Zaya Bandida

作　　者：根泉 Gen quan(chool of Mongolian Studies,Inner Mongolia Normal University,Hohhot Inner Mongolia 010022,China;Journal of Inner Mongolia Normal University(Philosophy and Social Sciences in Mongolian))

机构地区：[1]内蒙古师范大学蒙古学学院,呼和浩特010022 [2]《内蒙古师范大学学报》(哲学社会科学蒙文版)

出　　处：《内蒙古社会科学（蒙文版）》2024年第6期85-91,共7页Social Sciences of Inner Mongolia:Mongolian Edition

摘　　要：蒙古族传记文学的内容、结构、创作特点等都受到印藏传记文学与本生故事的影响,同时也深受蒙古族民间文学和古代书面文学的影响。《内齐托音传》和《扎雅班第达传》是蒙古族传记文学的代表性作品,这两部传记的创作方法主要体现在两个方面。其中,一世《内齐托音传》运用传说与叙述的方法表现传记主人的主要事迹和形象,《扎雅班第达传》和二世《内齐托音传》主要运用记叙手法描述了传记主人一生的宗教与政治活动。The content,structure,and creative characteristics of these Mongolian biographical texts have been shaped by influences from Indian and Tibetan biographical literature,as well as local narratives,and have been profoundly impacted by Mongolian folk literature and ancient written traditions.Biography of Naichi Toin and Biography of Zaya Bandida stand out as exemplary works within the realm of Mongolian biographical literature.Their creative approaches are primarily manifested in two distinct aspects.Biography of Naichi Toin employs a blend of legendary and narrative techniques to construct the principal deeds and persona of the subject.In contrast,Biography of Zaya Bandida and Biography of Naichi Toin predominantly utilize narrative methods to document the religious and political engagements of the subjects throughout their lifetimes.

关 键 词：蒙古族传记文学 传说与叙述 记述 方法 

分 类 号：I20[文学—中国文学]