袭冶承弓:基于口述史的陶瓷绘画家族式传承的述评  

The Inheritance of Porcelain Painting from Father to Son:A Review Based on Oral History

作　　者：张晴倬 邓艺 ZHANG Qingzhuo;DENG Yi(Jingdezhen Ceramic University,Jingdezhen 333403,Jiangxi,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷学报》2024年第6期1265-1269,共5页Journal of Ceramics

基　　金：江西省社会科学基金(24YS09)。

摘　　要：通过对多位陶瓷绘画艺术家、行业从业者展开访谈,并梳理被访谈对象的口述内容,结合文献及史实资料,分析20世纪七八十年代景德镇陶瓷世家的家族技艺传承方式。这一时间段内的家族传承技艺的根源在于传统的宗亲叙事框架、集体经济下的“顶替”制度以及亲缘关系的期盼,三者共同组织起了坚固的家族传承网络。二十世纪末,伴随着国家从工业社会到后工业社会的转型及商品经济的到来,紧密的家族传承关系逐渐失效代表景德镇陶瓷工业化时代的各大瓷厂陆续停产,数万工人走出工厂再次择业。This article takes the interviews with more than ten ceramic painting artists and industry practitioners,and analyzes the ways in which skills were passed down within the Jingdezhen ceramic families in the 1970s and 1980s by combing the oral content of the interviewees with documentary and historical information.The article argues that the roots of the family's inherited skills in this time lie in the traditional framework of clan narratives,the collectivist system of"replacement",and the expectation of kinship,all of which together organized a strong family inheritance network.At the end of the twentieth century,along with the country's transition from industrial society to post-industrial society,and the arrival of the commodity economy,the close family inheritance relationship is gradually invalidated,representing the era of industrialization of Jingdezhen ceramics in the major porcelain factories ceased production one after another,tens of thousands of workers out of the factories to choose a job again.

关 键 词：家族传承 口述史 技艺 瓷绘 

分 类 号：TQ174.74[化学工程—陶瓷工业]